What is TAB?

TAB or tablature is a method of writing down music played on guitar or bass. Instead of using symbols like in standard musical notation, it uses ordinary ASCII characters and numbers, making it ideal for places like the Internet where anybody with any computer can link up, copy a TAB file, and read it.

What TAB will tell you:

• TAB will tell you what notes to play - it will tell you which string to hit and which fret to fret it at.
• TAB will tell you where hammer-ons, pull-offs, bends, slides, harmonics and vibrato are used.
• TAB will tell you what tuning the piece is in. If this isn't given explicitly, assume normal tuning. TAB should also give you information on use of capos etc.
• TAB will give you an indication of the rhythm of the piece - i.e. it will tell you which are the long notes and which are the short notes.
• However it will not tell you exactly how long or how short they are.

This leads me on to...

What TAB won't tell you:

• TAB will (usually) not tell you the note lengths of the notes. In most cases you will have to listen to the song with the TAB in front of you to work out the rhythm of the notes.
• TAB will not tell you which fingers you use to fret each note.
• TAB will (usually) not tell you anything about picking and strumming. You will have to decide for yourself where to use upstrokes/downstrokes and so on.

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Reading Guitar Tablature

TAB notation - The Basics

TAB is simple to read, and should be simple to write if you want to submit a song you have worked out yourself. The idea is this: you start out with 6 lines (or four for bass). These correspond to the strings of the instrument. The top line is the highest pitch string, and the bottom line is the lowest pitch string. Below is a blank bit of TAB with the string names at the left.

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Numbers are written on the lines to show you where to fret the string with the left hand. If a zero appears, this means play the open string. Like standard musical notation, you read from left to right to find out what order to play the notes. The following piece of TAB would mean play the sequence of notes (E F F# G G# A) on the bottom E string by moving up a fret at a time, starting with the open string.

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E---0--1--2--3--4--5---------------------------------------------

Ok so far?  In the illustration below, we have notes being played one at a time. If two or more notes are to be played together, they are written on top of one another, again just like standard notation.  In the next example we have a G bar chord.This means play all these notes together as a chord.

E----3-----------------------------------------------------------
B----3-----------------------------------------------------------
G----4-----------------------------------------------------------
D----5-----------------------------------------------------------
A----5-----------------------------------------------------------
E----3-----------------------------------------------------------

You might see the same chord written like the following example:

E--------3-------------------------------------------------------
B-------3--------------------------------------------------------
G------4---------------------------------------------------------
D-----5----------------------------------------------------------
A----5-----------------------------------------------------------
E---3------------------------------------------------------------

The illustration below means strum the same shape starting at the bottom string, so that each string is hit slightly later than the last string, but all notes will ring together. This is an example of the same shape again, but now the gaps between the notes are bigger, so you would probably pick the strings separately instead of slowly strumming the shape.

E------------------3---------------------------------------------
B---------------3-----3------------------------------------------
G------------4-----------4---------------------------------------
D---------5-----------------5------------------------------------
A------5-----------------------5---------------------------------
E---3-----------------------------3------------------------------

In the previous example all the notes are evenly spaced so you can reasonably assume that the notes are the same length (maybe all eighth notes or quavers) but this may not always be true. It depends upon who wrote the TAB.might ask, how do I know how fast or slow to play this? Are all the notes supposed to be the same length? This is where TAB differs from standard notation. Most often TAB will not give you any information on the note lengths. It is usually left up to you to listen to the song to pick up the rhythm. However, don't despair. TAB should give you some indications of timing.

As a general rule, the spacing of the notes on the TAB should tell you which notes are the long ones, and which are the short and fast ones, but obviously it won't tell you if a note is a triplet or anything like that. Again, this will depend strongly on the person who wrote the TAB.

As an example, the following illustration shows the first few notes of the American National Anthem in TAB form. You should see fairly clearly that the different spacing corresponds to the different note lengths.

E-----------------------0--------4--2-0--------------------------
B---0--------------0---------------------------------0-----------
G------1------1----------------------------1----3----------------
D--------2-------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Obviously it will be a lot easier to play the TAB for a song you know well than for a song you've never heard of because you will already be familiar with the rhythms of the familiar song.

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Other Symbols Used in TAB

So far I've looked at what notes to play, which string to hit, and where to fret it.  I've mentioned how to get an idea of note lengths by looking at the spaces between notes on the TAB, but this can only be a rough guide. You will always have to check with the original track to work out details of the rhythm.  A lot of other important information can be included in a piece of TAB. This includes hammer-ons, pull-offs, slides, bends, vibrato and so on.

The standard practice is to write extra letters or symbols between notes to indicate how to play them. Here are the letters/symbols most often used:

h - hammer-on
p - pull-off
b - bend string up
r - release bend
/ - slide up
\ - slide down
v - vibrato (sometimes written as '~')
t - right hand tap
x - play 'note' with heavy damping

For slides, "s" is sometimes used to indicate either an up or down slide. Symbols for harmonics are explained below in Section 3.2.  That last one, the "x", is used to get a choppy, percussive sound. You usually use your fretting hand to lightly damp the strings so that when you pick the note it sounds dead.  Note that the use of "x" is totally different from the use of an "x" when giving chord shapes.

For example if you wrote the chord of D, it would look like the following illustration where the "x" means do not play this string.:

EADGBE
xx0232

In TAB it is implicitly assumed that a string is not played if it is not marked. So the same chord in TAB would appear with no "x" as in the illustration below. The "x" is only used in TAB to represent a heavily muted string which is picked/strummed to give a percussive sound.

E-----2----------------------------------------------------------
B-----3----------------------------------------------------------
G-----2----------------------------------------------------------
D-----0----------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

There are a number of other symbols for things like whammy bar bends, pick scrapes and so on. There seems to be no particular standard way of writing these - details should be given in the TAB to explain what the symbols mean.

Bass TAB will probably need a few extra symbols to cope with the different techniques used in bass playing - for example slapping and "popping" the string with thumb or middle finger. You could use "s" for slap and "p" for pop as long as you wrote them underneath the lines of TAB to distinguish them from slide and pull-off which would be written on the lines of TAB.

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Hammer-ons and Pull-offs

With hammer-ons and pull-offs you might find symbols like the illustration below. This means play the open E twice, then hit the A string at the 5th fret and hammer-on the 7th fret.

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A---------5h7-----------5h7--------------------------------------
E---0--0----------0--0-------------------------------------------

Pull-offs look very similar, as illustrated below:

E----3p0---------------------------------------------------------
B---------3p0----------------------------------------------------
G--------------2p0-----------------------------------------------
D-------------------2--------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

The illustration above is a descending blues scale using pull-offs to the open strings. For each pull-off you only pick the first note of the pair with the right hand, so in this example you would pick all the notes on the 3rd and 2nd frets, and the open strings would be sounded by pulling off.

Because you give the string an extra bit of energy when you hammer-on and pull-off, you only need to hit the first note with the picking hand. You could even have a long string of hammer-ons and pull-offs like the following illustration. In this case you only pick the first note.

E----------------------------------------------------------------
B----------------------------------------------------------------
G---2h4p2h4p2h4p2h4p2h4p2----------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Note: You might see other symbols used to mean hammer-on or pull-off, for example ^ can be use to mean hammer-on and pull-off, e.g.:

G---2^4^2----

This means "hit the note at the 2nd fret, hammer-on to the 4th and pull-off to the 2nd fret". It would make things easier if everyone used the same symbols, so unless you have a strong objection to "h" and "p" please use those. In any case, for any TAB you send, always explain what your symbols mean so if you use anything "unconventional" make sure you explain what it means.

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Bends

When bends are involved you need to know how much to bend the note up. This is indicated by writing a number after the "b". For example, if you see this it means strike the B string at the 7th fret, then bend the note up two semitones (one whole step) so that it sounds the same pitch as a note fretted at the 9th fret would. (Sometimes the bend is written with the second part in brackets, like this ---7b(9)--- )

E----------------------------------------------------------------
B------7b9-------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Sometimes you may see TAB written like the following illustration. It means play the note at the 7th fret, bend up two semitones, strike the note again while it is still bent, then release the bend so that the note has it's normal pitch.

E----------------------------------------------------------------
B------7b9--9r7--------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Sometimes a pre-bend is used. This is where the string is bent up "before" the note is struck. After striking the note, the bend is released. The illustration below means: Fret the note at the 7th fret and bend the string up two semitones (without actually playing the note). Now strike the string and release the bend. Pre-bends are usually written like this:

E----------------------------------------------------------------
B------(7)b9r7---------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

You sometimes get a note which is bent up only a quarter of a tone or so. In this case it would look a bit strange to write:

B--------7b7.5--------

If you have to bend it up half a fret's worth. Instead it's written like the illustration below:

bend up 1/4 tone
E----------------------------------------------------------------
B------7b--------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Always give instructions on how much to bend written above the note.

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Slides

The most common symbols used for slides are / for a slide up and \ for a slide down.  You might also see an "s" used to mean slide.  You don't always need separate symbols for "up" and "down" slides. The following illustration is a line of TAB clearly sliding up from the 7th to the 9th fret.

E----------------------------------------------------------------
B------7/9-------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

However you might also see things like these where the exact start or finish of a slide is not given. Then you have to know whether you're sliding up or down. In this case, use your judgment to choose the starting or finishing fret. The effect usually desired is to have a note "swooping in" from a lower pitch or dropping suddenly in pitch as the note fades.

E----------------------------------------------------------------
B------/7-9-7\---------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

You could have a whole series of slides running together. This illustration below means you only strike the first note with the pick using the sustain to produce the other notes.

E----------------------------------------------------------------
B------7/9/11\9\7\6\7--------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

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Note Length Information

Occasionally you will find TAB which includes information on all the note lengths. There seems to be no particular "standardized" way of doing this, but it usually involves a line of letters or symbols above the TAB.  See below (Section 3.2 part 6) for more details.  If the explanation of the timing symbols is not given in the TAB, then you've got a problem! In this case a quick email to the author to ask for enlightenment is the only way forward.

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Writing Guitar Tablature

Getting Started

Perhaps one of the most important things to do before you start typing up a piece of TAB is to decide exactly how much information to include in it. The trick is to convey the right amount of information in a clear, easily readable form.

Questions you can ask yourself are:

• Is the song played using mostly chords?
• Are there a number of riffs which appear throughout the song?
• Is there a clear verse/chorus/middle bit structure?

By planning ahead a little you should be able to produce a clearly structured TAB which will not only be easier for others to read, but also easier for you to type in. There are also choices to be made when deciding what package to use when typing the TAB. All you really need is a simple text editor; however a mouse-driven editor will probably make things easier. When you start typing in it saves time if you draw out one blank stave and then make eight or ten copies of them before you start typing in the fret numbers, etc.

If you use a more complicated package like Microsoft Word then make sure that the characters you use are all the same length. If an "m" character is wider than an "i" character then your TAB is going to look very strange on another text editor. Choose a font where all characters get the same width. Courier usually does the job.

There are also a number of programs available by ftp which were written specifically to make TAB writing easier. Details of these programs including ftp addresses are in the "TABBING MADE EASY" FAQ by John Kean, along with other useful hints for writing TAB. You can obtain this FAQ from OLGA (www.olga.net\software.html).

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To TAB or Not to TAB

If a song can be described well with just chords, then it will be a lot easier to read and write if you just use the chord shapes, rather than tab out the chords.  But if you do just send in the chords it makes things much clearer if you give the chord shapes as well. For example, if you wanted to send in Led Zeppelin's ''Gallows Pole" you could write:

Intro : A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A

Verse : A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A
A7 G/A A7 Am7 Dadd4/A G D
A7 G/A A7 Am7 Dadd4/A A7 G/A A7 Am7 Dadd4/A

(You should really have the words underneath as well, but I can't remember them at the moment!)  Now this is OK, but how many people actually know how to play Dadd4/A off the top of their head? 

What you need to do is include some chord shapes like the following illustration:

EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
x02020 x02010 x04035 320033 xx0232 x00000

A7 Am7 Dadd4/A G D G/A

To TAB out these chords may take a lot longer to type in, and will probably take people a lot longer to read and understand. When a song is based around chords like this, it makes things much easier if you just give chord shapes and names, then show where the chords go in relation to the words.

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Things to do When Writing TAB

One of the most important considerations when typing TAB is to make it clear and easily readable. There are a few simple things you can do to make things work.

Use spaces!

It's amazing the difference it can make if you insert a few blank lines in the right place. If you are used to writing the words above or below the lines of TAB make sure you leave a few lines free so that it's clear whether the words belong to the line of TAB above or below. Space out the individual lines of TAB and the whole thing will be a lot easier for others to understand.

Define the symbols you use

It would make everybody's life a lot easier if everyone used the same symbols for hammer-ons, bends etc. But if you are convinced that your particular way of writing bends and slides makes much more sense than anyone else's, that's Ok as long as you tell everybody what system you use. It makes very good sense to start your TAB file with a list of symbols used.

The list of most commonly used symbols is below:

h - hammer-on
p - pull-off
b - bend string up
r - release bend
/ - slide up
\ - slide down
v - vibrato (sometimes written as '~')
t - tap (with strumming hand)
x - muted, struck string

When you get onto harmonics, you might see a variety of symbols used. Even in standard music notation, an acceptable way of writing natural and artificial harmonics has never been agreed upon! However, using brackets is the standard way of writing harmonics, so a natural harmonic at the 12th fret would be:

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E------<12>------------------------------------------------------

Normal brackets () are sometimes used for grace notes or optional notes so "pointy" brackets are the usual choice for harmonics. Because there are no standards (in written music or tablature) to distinguish between natural and artificial harmonics, some confusion sometimes arises. If you are writing out some TAB with harmonics, it's best to add a note saying whether they are natural harmonics (most commonly at the 5th, 7th and 12th frets) or artificial (pinched) harmonics. With artificial harmonics, you have to fret a note with the left hand (say at the 2nd fret) and pinch the harmonic an octave above (at the 14th fret). So you should make it clear whether the number you write in the TAB is the fretted or pinched note. It is more common to TAB the pinched notes, so if you see TAB like this:

E----------------------------------------------------------------
B----------------------------------------------------------------
G----------------------------------------------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E------<14>--<16>--<17>--<16>--<14>------------------------------

It will usually mean fret notes at the 2nd, 4th and 5th frets, and play the artificial harmonics at the frets shown in the TAB.

Label bits of the TAB

It makes things a lot easier if you can see where the "verse" and "chorus" parts of a song are, so put a few labels in certain places to guide people through it. Many songs will have clear "verse" and "chorus" structures - so you can tab out the riffs/chords or whatever for these just once, and then indicate where these are repeated. Or there may be a couple of important riffs which are used. TAB these out and label them "Riff One" and "Riff Two" - then when they come up later in the song you can just say "repeat riff one four times" instead of tabbing the whole thing again.  As long as it's clear which bits of TAB go with which label, you will save yourself time this way as well as making it easier to read for others.

Include Artist/album

It's useful for others to know where to find the original song, so at the beginning of each TAB include some information on the artists who recorded the original, and the album on which the song can be found.

General comments

It's also useful to include a few lines at the beginning of the TAB explaining the style of the song, or to point out important features such as alternative tunings, use of capos, etc.  A few words along the lines of, "use a staccato, funky kind of strumming style for the chords, then change to a sustained feel for the lead line" will help people to get an idea about how to approach the playing style. Information on the type of guitar (electric/acoustic, 6 string/12 string) and effects used would also be useful.

One point on the use of capos and alternative tunings:

For TAB using a capo, it's standard practice to write the number of the fret relative to the position of the capo. So if you had a D major shape with a capo at the 2nd fret, the TAB would be:

E----2-----------------------------------------------------------
B----3-----------------------------------------------------------
G----2-----------------------------------------------------------
D----0-----------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

The notes fretted on the top three strings are 2 or 3 frets above the capo position, so they are written with the numbers 2 or 3, even though you actually fret the notes at the 4th and 5th frets.

When writing out the names of chords played using a capo, it's usually best to use chord names that take into account the actual pitch of the notes. For example, in the tab example above, guitarists recognize the chord shape as a "D shape", but because the capo is at the 2nd fret the actual chord is an E (2 semitones up from a D), so you should write the chord name as E. This makes it easier for other musicians (or other guitarists who aren't using a capo) to play along in the right key.

It's similar with TAB for guitars tuned a semitone or tone lower than usual. If a song should be played with the guitar tuned to Eb Ab Db Gb Bb Eb, and it has this chord:

Eb-----0---------------------------------------------------------
Bb-----0---------------------------------------------------------
Gb-----1---------------------------------------------------------
Db-----2---------------------------------------------------------
Ab-----2---------------------------------------------------------
Eb-----0---------------------------------------------------------

although it "looks like an E chord" it is actually an Eb, because of the tuning, so in the long run, it avoids confusion to call it an Eb.

Timing information

You may want to get really serious and include details giving the precise rhythm of the piece. This will involve a lot more typing, but it means all the information necessary to play the piece is given explicitly.

One way to approach this is to write a line of dashes interspersed with numbers which count the beats. So in 4-4 time, you would have : 1---2---3---4---1---2---3---4--- etc. Under this you can write a line of d's and u's representing down and upstrokes. Here is a simple example where the rhythm is 2 crotchets (quarter notes) followed by 4 quavers (8th notes):

1---2---3---4---1---2---3---4--- etc.
d---d---d-u-d-u-d---d---d-u-d-u-

You could expand on this to use upper and lower case letters to indicate accents and so on. If you use this method make sure that you clearly separate the two lines of rhythm information from the six lines of TAB!

One other way of including timing information is to use one letter/symbol for each note type.

For example, use "e" for 8th note (quaver), "s" for 16th note (semi- quaver) and so on. The letters you use may well differ depending on whether you're used to the American system of quarter notes, 8th notes etc., or the English system of crotchets and quavers. The method is the same.

If you're not sure of the "translations" here they are:

whole note = semibreve
half note = minim
quarter note = crotchet
8th note = quaver
16th note = semiquaver
32nd note = demisemiquaver
64th note = hemidemisemiquaver

Simply write the letters above the corresponding note in the TAB. (Make sure you define which letters/symbols you use.)  Here's an example of what this looks like:

This is the opening riff from The Beatles song, "Ticket To Ride":

q e e t t t q e e t t t

E--------0-----------0--------0-----------0----------------------
B-----------2-----0--------------2-----0-------------------------
G---2----------2----------2---------2----------------------------
D----------------------------------------------------------------
A----------------------------------------------------------------
E----------------------------------------------------------------

Here I've used "q" for quarter note, "e" for 8th note and "t" for triplet quarter note.

If you want a TAB with rhythm information like this then it's essential to explain the system you use. I've seen a lot of different systems of letters and numbers of varying degrees of simplicity and readability. Whatever you choose to use, you'll have to explain all your symbols to make sure others can work out what you're referring to. If you want to give a few clues to the rhythm of the TAB, but don't want to get too involved, use of bar lines is an effective way to convey timing information.

Simply insert a vertical line of |'s to indicate the end of a bar. Using the National Anthem example I had used before, with bar lines it looks like the example below:

E--------|---------------|0--------4--2-|0--------------|--------
B---0----|----------0----|--------------|---------------|0-------
G------1-|-----1---------|--------------|-----1----3----|--------
D--------|2--------------|--------------|---------------|--------
A--------|---------------|--------------|---------------|--------
E--------|---------------|--------------|---------------|--------

Lyrics

It's a lot easier to follow a piece of TAB when you've got at least some of the lyrics to follow, and you can match up the notes/riffs in the TAB to the lyrics.  Try to include lyrics for at least the first verse and chorus. If you're not sure of the words you can refer to www.lyrics.ch. There are a large collection of song lyrics held there. Failing that, a request to the newsgroups along the lines of, "Please mail me the lyrics to such and such so that I can make a proper job of the TAB I'm working on", will usually get a sympathetic response.

As a final note on writing TAB I would say that whenever you post to newsgroups ALWAYS cross post to both guitar groups, and also mail a copy to This e-mail address is being protected from spambots. You need JavaScript enabled to view it so that it can be included in OLGA.  For more information on posting to the guitar newsgroups and OLGA see the other FAQs regularly posted to the guitar newsgroups.

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Things to avoid

Tab Wraparound

One of the most common problems in writing TAB is text wraparound. This makes the TAB almost impossible to read but is very easily avoided. The problem occurs when you write a line of TAB which is about 80 or 90 characters long. For a lot of people this is too wide for their screen, so what should be a single line of tab, ends up being split onto two lines.  (This problem only occurs with text files, not with HTML. I've simulated the effect below.)

Here is what it looks like:

E---------------------------------------------0-------------------
----------------------------
B---------------------------------------2--4-----4--2-------------
----------------------------
G------------------------------1--2--4-----------------4--2--1----
----------------------------
D---------------------1--2--4-----------------------------------4-
-2--1-----------------------
A------------0--2--4----------------------------------------------
-------4--2--0--------------
E---0--2--4-------------------------------------------------------
----------------4--2--0-----

This looks pretty weird when you see it. When I wrote it, using Windows Notepad, it looked fine because I could fit the whole thing on one screen. For most newsreaders it is too long and you run into problems. All you have to do is be careful when you type in TAB so that you know the maximum width of line is about 60 characters.

I've tried to do that in this FAQ so that the maximum width is about this long:

|---------------------------------------------------------------|

If you limit your TABs in the same way, you should be okay.

Of course, if TAB does get wrapped around the author might not realize it because it looked fine on his/her screen when they wrote it. It might be worth letting them know of the problem, so they can be careful in the future.  (This includes me! If parts of this FAQ are too wide for your screen, please let me know!)

Very squashed TAB

It's amazing how easy it is to ruin an otherwise good piece of TAB by not spacing it out so that the end result is a mass of cramped TAB, explanations, labels, etc. When you finish typing, go back through the TAB to see if you can insert a few blank lines here and there to separate verse from chorus or whatever. It really does make it a lot easier for others to read. It might also be worth considering if you've included too much detail in the TAB. Usually this will not be the case, but I have seen a few TABs which go into great details, but are extremely difficult to read because of the sheer quantity of information.

Unnecessary repetition

If a line of TAB or a particular riff is repeated a number of times then save yourself the effort, TAB it once. It's also easier to read.

That's all I think you need to know about reading and writing TAB. If there's anything important you think I've left out or if there are bits of the FAQ which you can't understand please let me know.  ♦

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